Matheson Hammock Memories

A peek at the process.

I found time to paint today and was able to get the sky almost done on this big canvas. It just needs some minor tweaking where the black gesso is peeking through the highly textured areas a bit too much. Otherwise, I like it. My apologies, as this photo is not very good. It was taken tonight and the colors, brushwork and texture are lost in the poor lighting. It's much prettier in person.

As I was working on this big canvas, I got to thinking about some of the beaches I used to visit in the late 1960's as a teenager growing up in Miami.

One of them was Matheson Hammock Park.  A man-made atoll on the Biscayne Bay, near my hometown of Coral Gables. It was built in the early 1930's,  a part of President Roosevelt's Civilian Conservation Corp that helped put unemployed men to work during the depression.
Back in the day, it was a beautiful place to spend a day at the beach. I hear it's not quite as nice now, which is too bad, but I'm painting it as if it's still in it's heyday.

The only photo I have of me as a baby, was taken at Matheson Hammock Park. I'm in the water, being held by my mom. I've always been fascinated by that photo, probably because it's my only baby pic and because my mom looks so happy. All heck broke loose in my family a few years later, and I pretty much rarely saw my mom happy again. Heck, I rarely saw my mom at all.

Reminiscence emotions got a hold of me and I decided to change the random location of my original beach painting, to this beach at Matheson Hammock Park.
I love it when I have an emotional connection to a painting I'm working on. It takes the painting experience up a notch.
This change of location meant I had to add the sea wall/sandbar and a few palm trees and I had to make the water calm. It's almost like a tidal pool at this beach. The water softly meets the sand, so the big waves I had started in my original layout had to go bye-bye.

Before I added the sandbar and trees to the canvas, I used a technique I learned from artist Robert Vickrey. He painted with egg tempera. When he wanted to add an element to one of his paintings, (such as a hat on a child) he would often place a piece of clear acetate on his (dry) canvas, painting the idea on the acetate first, to see if he liked it. He could move the acetate around, helping him with placement, perspective and such, before he actually painted the new element directly on his canvas.
He, of course, did not use the acetate on wet paint. So, if you use this idea, let whatever medium you are using dry first. Because I use acrylic paint, which we all know, dries in a nano second, I usually don't have to wait long if I want to use the acetate.

I use 3M Transparency Write-On Film. Sold in a box of 100 sheets (8.5x10.5) for about $22. Another neat thing about these sheets is they will static cling to the canvas. Just rub the sheet around on something to activate the cling. No tape needed.


Here are my trees, sketched on an acetate sheet to see if I liked the idea or not. I put the sandbar where one of the original waves was. You can see the lights in my studio shining on the acetate sheet.

The reference photo for my original beach/umbrella idea is one I created by mashing several photos together with photoshop.

I had a photo of a plain umbrella on the beach. I wanted a patterned umbrella, one of my own design, so I replaced the plain umbrella with a polka dot umbrella I found in an advertisement. Fortunately it's perspective jived pretty good with the original (plain) umbrella so it fit in nicely.

The polka dots became perspective reference points for me so I could create the patterned umbrella correctly. I wasn't worried about copyright issues using a published photo, since it was going to be SO different from the original. It was just a perspective tool for me.

 Here's the painting from my last blogpost, before I added the sandbar and trees. I'm glad the silly cartoon clouds seen here are gone now.

Brian's latest battle with lymphoma has kept me out of the studio quite a bit, so my painting updates will be sporadic for a while.
I can't wait to find a chunk of studio time again soon as I'm really having fun with this painting.


Thanks for visiting!

Paint it Black...

or... 'Rocky Mountain Bye'

There were several things I really liked about this painting, before I gessoed the entire canvas black! 

One was the tree canopy... the leaves....  another, the black edges peeking out here and there. I liked that concept. 

One mistake I made with this painting, was tackling a new style without a reference photo on a HUGE canvas ...what was I thinking?

Whenever I changed my mind on a composition element, it was ridiculously time consuming to make the change throughout this gigantic canvas... and then my AAADD* would kick in, making painting a chore (painting should not be a chore!) 'til I finally said "enough!".

But the biggest reason (besides not having a reference photo) for starting over on this big canvas was I simply decided I didn't want a giant Colorado landscape in my living room. This painting is for our home and this canvas is meant to go back to the same area it's hung for 10 years. It's was an (unfinished) ocean scene for 3 years, and I didn't know how much I liked having a waterscape in that spot 'til it was gone. The forest was pretty, but it wasn't water.

This poor ole canvas has been gessoed over 3 times before. It's first two incarnations were colorful abstracts, then it was the simple (unfinished) sea scene. Each time I brought the Colorado landscape in from my studio to see if I liked the colors in my living room's east light, and I'd find myself wishing I'd stuck with an ocean theme. When I mentioned this to Brian, he simply said, go with your feelings. 

Wow. Duh. I couldn't get the black gesso on the canvas fast enough. (except for a few parting photos of the spots I liked). At the time I decided to gesso the whole darn thing, I was happy with most of what I'd finished on the painting... so I took photos of the parts I liked and will use those ideas in future works.

This time, with a reference photo in hand, and a whimsical patchwork umbrella idea brewing in my head, I started this giant canvas's newest life. An homage to my hometown, Coral Gables and to the beach... my ocean. I miss the ocean.

This is definitely a work in progress. The umbrellas will all be COLORFUL, the sand almost white, and I think as soon as I'm done posting this,  those silly cartoonish clouds are going to float right on out of the painting. 

I'm trying to channel a soft, old fashioned vintage post card feel with this. Wish me luck.

 

Thanks for visiting! ... and if you like to see what this giant canvas (finally?) ends up being, please consider becoming one of my blog followers.

*AAADD- age accentuated attention deficit disorder  :o)

'Rocky Mountain High'

Under-painting of a work-in-progress-

3.5' x 4' Acrylic on Canvas

When I was a little girl, I loved crayons and coloring books.... I loved to color! I loved COLOR!

I spent a good deal of my childhood in a state-run orphanage. Sometimes, local charities would deliver donated toys and if those goody boxes had crayons and coloring books, and if  I was one of the lucky kids with a chance to use them, I was thrilled.

Back then, using the black crayon, I'd carefully trace all the lines of the design. Then I'd fill each area with color. Lots of color. Layered colors. This look of beautiful colors, outlined in black, has always been a favorite of mine. I think that's why I was drawn to becoming a glass artisan as well. I love the brilliantly colored glass bordered by the dark lead came outlines. Simply love it.

A few weeks ago, I decided to explore this idea a bit with paint. Bright colors, darkly outlined here and there. I had this big (3.5' x 4') canvas that I'd gessoed black. I started drawing, using the medium and dark colors of the under-painting (this image didn't capture the Prussian/ultramarine blue sky at all), to compose a Colorado mountain scene. Currently, I'm just playing with colors and shape. Once I'm satisfied with the composition, I'll start adding more colors with an emphasis on brushstrokes. I want to play with light. I want this painting to shimmer! 

I'm working top to bottom, and the bottom third of the painting, under the trees, is still unknown. I've got this vague image in my head of dappled light hitting the ground under the trees with a few flowers sprinkled here and there. I'm chasing that illusive idea, trying to capture it with paint. Right now, it's still mostly black gesso. 

So far, there are a few parts of this painting I sorta like, and if nothing else, it's given me a chance to simply play with paint. A little escape from the reality of my Brian's ongoing battle with cancer. He's sick today, so to stay close to him, I'm on the computer in the house rather than out in my studio (it's too isolated from B). Since he was diagnosed, there's been no time to blog....little time to paint. I wasn't even going to show any work-in-progress photos of this random experiment, but I've missed blogging (it's been 3 months), so what the heck. 

I'm only getting small, random chunks of time to paint, sometimes having to put my brushes away for days, at a moment's notice. With this newest experiment in style, I've been able to come back to this canvas days later and easily pick up where I left off. I need the flexibility this style is providing. It's allowing me to be creative....to paint.... and I need to paint. I don't know where this painting is going for sure, but if it ends up somewhere I don't like, there's always black gesso. In the meantime... I'm still chasing.